Mattia Cupelli - 'Electric Shrines' * Over 25 Million Plays / influenced by Nils Frahm and Nicolas Jaar,

Mattia Cupelli

Electric Shrines

 

 

ALL SOCIAL MEDIA / WEB LINKS:

Instagram: https://www.instagram.com/mattiacupelliofficial/

Soundcloud: https://soundcloud.com/mattiacupelli

Spotify: https://open.spotify.com/artist/7aMMDRtoKETQscQlRZ7IFp?si=dPscPq8KQi-PJdTEiv7emA

Youtube: https://www.youtube.com/channel/UCqsGQVl-_k5qGE-PwGKO5DA?view_as=subscriber

Facebook:  https://www.facebook.com/MattiaCupelliComposer/

 

INFO:

Mattia Cupelli is an italian composer/producer based in Rome, Italy.
He merges Neo-Classical/Soundtrack/Ambient sounds with modern Minimal Electronic music.

Early works are mainly based on Soundtrack, Orchestral Music and Modern Piano music, and he is making himself known through his YouTube channel, that counts over 25 millions plays and 100K subscribers.

His last works are highly influenced by artists like Nils Frahm and Nicolas Jaar, and try to make acoustic and electronic instruments co-exis, this sets the basics for his sound.


Wankelmut Remix Rilan & The Bombardiers - As Featured on Netflix Show 'Shooter'

Rilan & The Bombardiers 

Walking On Fire - (Wankelmut Remix)

LABEL: Narli Records

 

 

 

 

LISTEN - 

https://soundcloud.com/rilanandthebombardiers/walking-on-fire-rilan-the-bombardiers-wankelmut-remix-2/s-ZMHy6

 

INFO:

Rilan & The Bombardiers is a band from Haarlem (NL) formed around the artist Rilan Ramhane. These exceptional musicians skillfully combine Pop, Soul, Funk and Rock. In combination with Rilan Ramhane's extraordinary voice they create a sound that does not seem to be from this world.

The song "Walking on fire" was released in 2016 and is one of their most personal songs.
Contrary to what is commonly known, the interest for this song has grown from year to year. Pretty early on NETFLIX decided that Walking on Fire would not only conquer hearts but would also touch souls, which is why it was featured in multiple Netflix and FOX productions like "Shooter", "Rosewood" and "Shut Eye".

Due to the deep meaning of this song and the steadily increasing interest a remix, by one of Europe’s most famous DJ’s ‘WANKELMUT’, has now been created.

The song will be released on May 24th this year and is only the beginning of a collaboration between the two artists and the start of a new era, one to which we should all stay tuned.

 

ALL SOCIAL MEDIA / WEB LINKS

https://www.instagram.com/rilanandthebombardiers/

https://www.facebook.com/RilanandtheBombardiers/

https://www.youtube.com/channel/UCI6Br2RDg8lR74U_2XkBNfA

http://rilanandthebombardiers.nl/en/home-2/

https://soundcloud.com/rilanandthebombardiers

https://open.spotify.com/artist/1yawxcvEJTTtsz2aX3yruE


Fantastic New Video From Ryvage - 'Another Day Another Time' * Support From Decoded / XS Noize / Electronic Groove Magazine

Ryvage

Another Day Another Time

GENRE: Electronica

RELEASE DATE ‘Another Day Another Time’ (TAKEN FROM THE ’TIDES E.P.’ DUE JULY 5th)

LABEL: Portable Peninsula

 

 

SOCIALS:

www.ryvage.com

Facebook

Twitter

Instagram

Spotify

YouTube

Bandcamp

Soundcloud

# STORY

Ryvage is the electronic solo project started in 2017 by Luxembourg based musician and producer Samuel Reinard. The name derives from the French word rivage (French pronunciation: (/riːˈvɑːʒ) meaning "shore".

Driven by his love of contrasts, produced in isolation, Reinard’s synth-driven electro-pop and its visual incarnations are a reflection of his personal obsessions, spanning from 80s sci-fi movie soundtracks and industrial electro to immersive installation art and echoes of French literature.

The name Ryvage sums it up really well: “My home base Luxembourg is landlocked. To me, making music is like driving to the sea, sitting at the shore and contemplating the horizon. It is a safe and beautiful place where you can be in the moment, let your imagination go wild or travel in your mind. I also like the idea of being on the threshold of two worlds or elements. Ryvage oscillates around contrasts, change and escapism”.

He has performed live at festivals such as Food for Your Senses (LU), Zikametz (FR), Les Aralunaires (BE) and opened for artists such as Liars (US), Blanck Mass (UK), Throwing Snow (UK) and Rone (FR).

His rework of the track Bubbles by Drops and Points, the electronic project initiated by multi-award-winning composer and jazz vibraphonist Pascal Schumacher, is part of the Drops & Points Reworks EP featuring remixes by artists such as Stimming and Paul Frick. In 2018, Ryvage also released a first single Mountains and Valleys, a rework of the song Heart and Soul by indie pop band Ice in my Eyes and a live remix of Laurent Garnier’s track Revenge of the Lol Cat.

# TIDES EP

After a series of live shows supporting the likes of Blanck Mass (UK), Throwing Snow (UK) and Rone (FR) and 4 single and rework releases, Ryvage decided to start working on his first EP in summer 2018. Armed with his portable peninsula studio - the name he gave to his itinerant studio setup during his student years in Paris - he started writing and producing new music and polishing live versions of his tracks in different places, while travelling, and whenever he had spare time. “Some of the tracks were written and produced in a train in Portugal, others in a remote cottage in France, some at a friend’s studio in the Luxembourg countryside. The EP is thought of as a musical escapade and an invitation to travel in your mind. People can hear the different moods and vibes of the locations I was at while composing the music”.

The result is a 5-track EP composed of melodic electro-pop songs, dark synth-driven electronica tracks, and ambient soundscapes. Industrial-tinged sounds and percussions are meeting 80s beats and synthwave elements while waves of powerful synth leads and atmospheric pads are battling with arpeggios and heavily processed vocals.

It’s a personal and intuitive record. I didn’t use any conceptual filter or criteria like I used to do in other projects. It was all about finding a musical & sonic formula to explore topics like memory, mood swings, anxiety and escapism, using my computer and machines”.

The title of the EP, Tides, reflects the changing character of the music and works as an echo to the project’s name.

Even if produced in isolation, the track Another Day Another Time – Ryvage Rework is a rework of a track taken from the 2017 album It will be forever by acclaimed electronic producer Sun Glitters (https://sunglitters.com/). “When Sun Glitters asked me if I would be interested in reworking one of his tracks, I chose this track for its mood and melodies. It was very exciting to produce the rework and test it live before I finished it. It’s now the closing track of the EP and it works like the final step of the journey”.

The EP was mastered by Alexis Bardinet at Globe Audio Mastering in Bordeaux (France)


MIEKO SHIMIZU To Release New Album "I BLOOM" - Mieko Played Sonar & Meltdown Festival As A Guest Of Massive Attack, Remixed Coldcut And Yellow Magic Orchestra, and played with Nitin Sawhney

MIEKO SHIMIZU

"I BLOOM"

LABEL: Street Furniture Records  / RELEASE PERIOD: June / July

 

 

SOCIALS:

Instagram: @miekoshimizumico

Twitter: @miekoshimizu1

Facebook: @micomusic

INFO: 

Mieko Shimizu is a prolific London based Japanese singer, song writer, composer and producer, with several diverse and accomplished albums already under her belt.

On new album ‘I Bloom’ she collaborates  with William D Drake of The Cardiacs, and previously she worked with Mick Karn of the band JapanNitin Sawhney and the London Symphony Orchestra on Japanese silent film 'Yogoto no Yume', David Cunningham from The Flying LizardsRobert Lippok of To Rococo Rot and she re-mixed the likes of Coldcut and Yellow Magic OrchestraHaruomi Hosono of the cult electro-pop act signed her to his label 'Daisy World'. Word quickly spread of her incredible live shows bringing a steady stream of appearances as far a field as Eastern Europe, the Middle East and Japan as well Sonar, alongside the mighty Kraftwerk and supporting Massive Attack at their Melt Down with Riz MC, AKA actor Riz Ahmed.

Mieko has also worked extensively with dance including scores for contemporary dance company Phoenix Dance Theatre, the Ballet ‘The Red Balloon’ at the Royal Opera House’s Linbury Theatre and  was also made an 'Emerging Artist in Residence’ at London's Southbank Centre where she collaborated with the London Philharmonic Orchestra on her own compositions. In her new live shows she will be combining both the ancient and modern with Kieko Kitamura on Koto, a type of Japanese harp, through FX pedals and herself on Moog synthesiser, keyboards and vocals creating a luscious, ethereal live show.

Mieko erupted onto the scene with the searing alter ego Apache 61, fusing layers of cross woven breaks battling shards of sub bass within stateless melodies drawn from the fringes of the avant-garde. Her last album, 'My Tentacles' released as ‘Mico' saw her return to a deeper more reflective state in the cavernous depth of sumptuous symphonic songs that oscillated with glitchy electronica.

Her new album ‘I Bloom' has taken 5 years to write and nearly didn’t happen when she was admitted to hospital for two life threatening operations and she nearly abandoned her plans to make it but when a junky was moved into the bed next to her and started to terrorise the ward only to be sent to sleep like a baby by an old Scottish lady singing traditional Irish Airs each night that she realised the power of music and resolved to finish her album. What resulted is I Bloom, a quite simply gorgeous record of mini masterpieces, interleaving haunting melodies; with songs that are both beautiful in their sincerity and tantalising in their simplicity. Her unerring elegance and undying passion takes you on a journey from hidden places across emotional landscapes to distant nebulae.

Prepare to experience an astonishing work.


THE GULPS - THE KINGS HOUSE - Super Producer YOUTH releases Indie / Pop Punks THE GULPS on his label 'Youth Sounds'

THE GULPS THE KINGS HOUSE

LABEL: YOUTH SOUNDS / RELEASE: OUT NOW

 

 

SOCIALS:

https://www.thegulps.com

https://www.facebook.com/thegulps/

https://www.instagram.com/thegulps/

https://twitter.com/TGulps

 

INFO: 

 

The Gulps are an invigorating new London band fuelled by rock music at its best who demand to be heard with their unique take on classic power pop.
They harvest a sound that blends the energy of punk with a refined pop sensibility.

Charisma, electricity and enthusiasm band together to ignite a combustive mix of on stage attitude and sound that invites the listener to a full on Gulp club open for all.

The band has been playing all around the UK and France, including gigs in London, Paris, Bournemouth, Portsmouth and Sheffield. Headlining classic venues, such as The Dublin Castle, New Cross In, Le Truskel and so on, while also featuring in various local festivals such as Byline, Camden Rocks, Soma Fest and Alma Street Fest- all household names on the UK gig circuit.

Much like The Gulps themselves, this year is shaping up to be one hell of an intense ride, with future dates confirmed in Nantes, Leeds, Portsmouth, London and many other killer cities.

July 2018 saw the band spend a week at The Doghouse Studios recording their debut EP “In The Kings House” with legendary producer and Killing Joke bassist Martin Glover “Youth”. The EP produced by “Youth” is  available fore Pre-order  and will be released on the 19th of April 2019 by his new label “Youth Sounds”.

To celebrate its launch the band will be presenting it on the 20th of April at Portobello’s Mau Mau Bar sharing the stage with Alex Patterson, Youth, Gaudi and a long list of other incredible artists.

 

LIVE DATES:

The Lord John Russell - Portsmouth 5th Jan.

The cellar bar and Chaplin - Boremouth 4th Jan.

West Street live - Sheffield 24th Jan.

The Monarch - Camden rocks 26th Jan.

Easy Come - Peckham 30th Jan.

Nambucca, Dizzy Lizzy - London 14th March

Camden Assembly - London 29th March

Camden Rocks festival - London 2nd June

To be confirmed:

The Lord John Russell - Portsmouth 26th Feb)

(Leeds -18th may)


Flutebox X Maud’dib - Forthcoming Concept EP & Single. Support From - WORDPLAY, UK HIP HOP, CERTIFIED and many more..

Top 100 coolest things on the planet – Arena Magazine

Doing to the flute what Jimi Hendrix did to the guitar” – Huey Morgan

Sheer musical genius – Mixmag

One of the hottest UK live acts” – Songlines Magazine

The best bloody thing I’ve seen in years” …”He is a musical pioneer with his trademark live Fluteboxing (beatboxing through the flute while playing it at the same time)” – Howard Marks

 

 

ARTIST: Flutebox X Muad'dib / TITLE: Wicked Labour (Taken From The Forthcoming ‘Brutus Stone EP’)  /

Single Listen:

https://www.youtube.com/watch?v=LYzvlXJg0Ug

 

Nathan 'Flutebox' Lee [Asian Dub Foundation, The Prodigy, Nitin, Sawhney, Plan B, Beardyman etc] and Ciarán ‘Muad'dib' O'Fathaigh [Mellissa Belle, Alexandra Burke, Aloe Blacc, Bashy, Speech Debelle etc] are set to release Wicked Labour on 04- 02 -19, the first track from their unique pan-genre EP project, BRUTUS STONE (Info Below) which features LA/London-based artist Brielle aka Aprilfoolchild and UK emcees and brothers Blackk Chronical and Phoenix Da Icefire

 

“So long as the Stone of Brutus is safe, so Long shall London flourish” [1]

Conceptually, the project is inspired by the legend of the Brutus Stone or London Stone which was purported to have been lain by Brutus of Troy as the foundation of the city of Trinovantum, “The New Troy In The West” – or as we know it – London.

This genre-defining collaboration with Muad'dib is legendary flautist Flutebox's first ever studio release, so he really wanted to make sure that the art was right. 'It's about identity.' he says 'More than anything else, I'm from London. This is where I can give directions. I'm not trying to beg some other identity, really.

And London means so much to mixed race people. That's the most honest thing about this. It's London as a 3rd - and perhaps predominant - identity'.

Over the years, writers such as Chaucer, Shakespeare and Alexander Pope have been inspired to add their own elements to the legend of Brutus and the stone. Roy Stephenson, head of archaeological collections at the Museum of London describes the stone as "the Dead centre, the throbbing heart which everything around London revolves". It's an artefact that has survived the great fire, the blitz and has lived through the ever-changing face of the most amazing, diverse city in the world.

Wicked Labour starts of like a late 50s soul jazz record with long, thoughtful chords that quickly unfolds into banging 808s that frame unmistakably UK grime and hip hop flows. The record is journey of changing landscapes that opens up into an epic, orchestral, cinematic panorama for the ride-out, but it never loses a sense of continuity or direction - even though when you consider the music retrospectively, it perhaps should.

Overall, the Brutus Stone is an intriguingly unique project. It moves through soul, jazz, grime, hiphop and trap - an ode to one of the most aspired-to cities on the planet.

Flutebox and Muaddib have known each other for around a decade. After meeting in the summer of '09 as artists performing at Bestival, they have composed, played and toured together, sharing stages with Jamelia, The Fun Loving Criminals, Jamelia and José González to name a few and have become genuinely close friends. 'Flutebox was at my dad's 9 nights,' Muad’dib recalls, not looking up from his mobile. 'That shit means a lot where we're from’.

PRE ORDER LINK:

https://fluteboxxmuaddib.bandcamp.com/track/wicked-labour-2

 

Flutebox socials:

https://www.facebook.com/nathanfluteboxlee/

https://www.instagram.com/nathanfluteboxlee/

Muad’dib socials:

https://www.instagram.com/pmuaddib/

Brutus Stone references

https://en.wikipedia.org/wiki/London_Stone

https://www.museumoflondon.org.uk/discover/london-stone-seven-strange-myths

https://www.ancient-origins.net/opinion-guest-authors/true-origins-legend-brutus-troy-and-london-stone-005984


John Metcalfe From Legendary Factory Act 'The Durutti Column' Releases New Album - Support From PITCHFORK/MOJO/BBC 6 MUSIC/ CLASH/ DIS/NME

"..a neo-classical beat-driven piece that unfolds strikingly“  MOJO                                                                                                                   Premiere for ‘Just Let Go’ track featuring Bat For Lashes  PITCHFORK                                                                                                         “Stunning..one of the UK's most consistently brilliant artists”  DROWNED IN SOUND                                                                             "Very beautiful"  LAUREN LAVERNE, BBC 6 MUSIC                                                                                                                                   “Effervescent, divinely beautiful”  CLASH                                                                                                                                                             “Staggeringly beautiful”  MARY ANNE HOBBS, BBC 6 MUSIC                                                                                                                   "A stirring, atmospheric slow burner”  NME

John Metcalfe by Tom Oldham 26/4/14

 

John Metcalfe

Absence

ARTIST: John Metcalfe / TITLE: Absence  / RELEASE PERIOD: 04/03/2019

See Me Through https://youtu.be/pTA6u3Cu9lk

12 Days Later https://youtu.be/qN1eSS2QJeM

Links: 

www.john-metcalfe.co.uk 

https://twitter.com/JMetcalfeBand 

https://www.facebook.com/JohnMetcalfeMusic/ 

What is it to be human? What unites us across time and continents and blood? Many have sought answers to such fundamental questions by examining sorrow and loss, death being a constant faced by us all. Some of the world’s greatest artists have used grief as a muse, searching for meaning in how we deal with what we lose and our capacity to overcome tragedy. And to the list of those who have grappled with such conceptions we must now add John Metcalfe, whose stunning Absence delivers a thoughtful and ultimately uplifting rumination on what death leaves behind, and how we come to terms with it.

Metcalfe has always been surrounded by music. As a child, he would listen to his father sing opera, before a love of Kraftwerk and Joy Division led to a stint as a drummer in a high school band. But it was a move to Manchester that really accelerated his development as an artist, and led to him finding his true calling. Joining cult band The Durutti Column, then signed to legendary label Factory Records, brought him into the orbit of Tony Wilson and the Haçienda, formative events that would help foster his renegade spirit.

Unimpressed with the strictures demanded by the classical recording industry, Metcalfe persuaded Wilson to launch the ground-breaking Factory Classical Label, aimed at unearthing exciting – and unconventional – new British talent. It was here that Metcalfe found a home, and the group that would come to define his musical career; the Duke Quartet. For nearly 30 years, they’ve existed at the vanguard of contemporary British music, innovating and delighting in equal measure. Working with world-renowned artists across the entire cultural spectrum, from pop, dance, film, TV, and theatre, Metcalfe honed his arranging and producing skills; he’s now one of the UK’s most sought after arrangers, regularly working with some of biggest names in music (Morrissey, U2, Coldplay, Blur, George Michael and Tom Jones).

As a solo artist, Metcalfe explores electro-classical soundscapes and the boundaries between genres. His finely tuned compositions are neat yet grand in scale, both in terms of sound and the conceptual ideas underpinning them. Absence, the fifth record to bear his own name, is something of a departure for Metcalfe, framing bold images and themes with some of the most conventional song structures he’s ever employed. But it’s also his most affecting, deconstructing a subject he’s been interested in since his childhood in New Zealand.

“There’s always been tracks influenced by the death of my father,” he says, although Absence was born in the aftermath of a very different tragedy; a friend’s sudden, unexpected suicide. Some months later, Metcalfe sat down to process his thoughts. “I wasn’t thinking of it to be cathartic,” he says of ‘Flood, Tide’. “I just wrote some words, and that was the start of it.” Over delicate, spectral piano, Metcalfe’s voice sounds disconsolate, shot through with sadness. “He lay free, gone”, he sings. “This time let go / Keep him inside”. The pain is palpable.

Written around the time of his last record, 2015’s The Appearance Of Colour, it found its way into his setlists and inspired a new suite of songs exploring not death itself, but the absence left by loved ones and how we remember them. The record is chronological, exploring the relationship between two lovers, one of whom is dying. “It’s about the conversations they have,” he explains. “The imagined conversations you’ll have when someone is in the final, physical stages of death, the electricity leaving our body, and the final thoughts of both the person about to die and the person who has to carry on with life.”

But Metcalfe’s triumph is to steer Absence away from the mawkish and trite, writing instead from a warm, loving perspective. “We have / so much / my love”, sings Rosie Doonan on elegiac opener ‘She Feels’, a gentle hymn about reminiscence and a life shared. It sets the tone beautifully, Metcalfe’s viola a soft hum underneath Doonan’s ghostly voice. And it’s the latter that’s often the stand out element, conveying a regal grace, poise, and hope.

“It’s less to do with me and more to do with Rosie,” says Metcalfe of the decision to continue with a full band set up on Absence. “I just love her voice.” The trio – Doonan, Ali Friend on bass, and Daisy Palmer on drums – have grounded his compositions and give a rich texture; witness Palmer propelling ‘Feel The Land’ to a crescendo, or adding to the jittery bustle of ‘Above The Waves Of Crystal Waters’. There’s also a precision to these songs, and their relative simplicity in comparison to his more experimental music gives each instrument space to breathe.

Even his own voice is elevated, floating alongside Doonan’s and occasionally forging ahead on its own. “I’m not a singer, I’m not trained,” he says. “But it has something; the sentiment or emotion I’m trying to describe.” Ditto his lyrics, which rely on neat couplets and clever rhymes, the exact meaning less important than the way they’re delivered. “Lyrics are so prescriptive, and I’m not a poet,” he explains. “I’ve tried to leave things open for the listener, to own it more themselves.”

And so one is left to catch the details and piece together the puzzle; returning to an empty house with trepidation in ‘Boats And Crosses’, finding acceptance in death in ‘When They Weep’, and memories of love giving the strength to carry on with life in ‘See Me Through’. Through it all, Metcalfe focuses on tenderness and love’s healing power, how “The sky sings of our union” (‘Above The Waves Of Crystal Waters’). Nature looms large too; rain, oceans, and sunlight hinting at the natural cycles that govern our lives, and how powerless we are to resist them.

All of these elements come together to devastating effect in ‘Solitude’, one of the most emotional, heartfelt tracks Metcalfe has ever written and the heart of Absence. “Those eyes, those smiles / Suddenly I / Solitude”, Doonan gently laments as plaintive piano and haunting viola perfectly capture the crushing feeling of being alone. But even as the protagonist bleeds and weeps, hope is offered as a salve; “I dream / Open the door”. Metcalfe’s gift is to gently remind us that while nothing ever lasts forever,

we owe it to our dearly departed to forge ahead with the life we have left, and to live it in their honour.

Order Album Here: https://nm.lnk.to/metcalfe_absenceFA


ARTIST: FVLCRVM / TITLE: LOOSE  / LABEL: UNIVERSAL

FVLCRVM LOOSE

ARTIST: FVLCRVM / TITLE: LOOSE  / LABEL: UNIVERSAL /

 

Single Listen:

https://youtu.be/PQjO2KgdXgM

 

INFO: 

FVLCRVM’s “Hi!” to the world as an extraordinary songwriter & vocalist came as a little surprise to everyone who was solely familiar with his work as a producer & DJ. Picked by Spotify as number 1 for their renowned “Fresh Finds” Playlist, his first release ’Notch' went viral and was soon featured by BBC Radio 6. This gained the Bratislava based artist immediate attention by tastemakers like Mary Anne Hobs or Machinedrum.

With his follow up “Words”, FVLCRVM offered a crisp and eloquent take on pop music and provided the viewer with a peak into a mind-blowing version of a gloomy yet dystopian future. Great support from Spotify and Apple Music as well as renowned Magazines like DJ MAG & Sound of Music made clear that FVLCRVM is a name to look out for.

Oscillating between mainstream & underground, between Pop, UK Bass & Future Beats, FVLCRVM is one of the most promising artists to enter the music world in 2019.

SOCIALS:

https://twitter.com/fvlcrvm

https://www.facebook.com/fvlcrvm

https://www.instagram.com/fvlcrvm/

https://fvlcrvm.com/


Hyde Park Brass 'Powerhouse EP' *As Seen On BBC1 Sports Personality Of The Year / BBC1 Breakfast TV & Worldwide TV Shows *

* AS SEEN CLOSING THIS YEARS SPORTS PERSONALITY OF THE YEAR SHOW

* CHARTING A NEW COURSE FOR THE MEANING OF BRASS BAND

* AS SEEN ON BBC1 BREAKFAST SHOW AND TV SHOWS ALL OVER THE WORLD DURING THE WORLD CUP COVERAGE PLAYING “ITS COMING HOME” - https://www.youtube.com/watch?v=68e_yLlmmLE

* PLAYING CHAKA KHAN ON SOFAR SOUNDS - https://www.youtube.com/watch?v=lICQlh1kNFo

 

 

HYDE PARK BRASS - POWERHOUSE EP

Release Date: Available Now
Label: Roots

EP LISTEN LINKS:

Track 1 - Overture - https://soundcloud.com/user-534158427/overture/s-KENOo

Track 2 - House Rules - https://soundcloud.com/user-534158427/house-rules

Track 3 - Looking Glass - https://soundcloud.com/user-534158427/looking-glass/s-Q2mbj

Track 4 - Get Up - https://soundcloud.com/user-534158427/get-up/s-JwqQh

VIDEOS:

Lolas Theme
https://www.youtube.com/watch?v=TTe-JRDt32U

Freed from desire
https://www.youtube.com/watch?v=npTJcTZSwdE

HPB Montage
https://www.youtube.com/watch?v=Wm2Eh8ktpgo

BBC Sports
https://youtu.be/yX6Tt_y50Oo

Social media links:

www.hydeparkbrass.com

www.facebook.com/hydeparkbrass

www.instagram.com/hydeparkbrass

www.twitter.com/hydeparkbrass

Snapchat: HydeParkBrass

Hyde Park Brass - Powerhouse EP.

After releasing their debut studio album in early 2018, Hyde Park Brass are back with another typically explosive record. Blending elements of their musical development with the experience of playing to thousands at festivals up and down the UK and beyond, the boys are charting a new course for the meaning of ‘brass band’.

Powerhouse presents a bold, fresh take on the sound and atmosphere that a brass ensemble can create. Showcasing the boys’ inimitable charisma and performance at every turn - this record announces Hyde Park Brass to the world as what they are: a true powerhouse.


THE MOUSE OUTFIT - New Video & Album - UK Hip Hop's Finest !

The Mouse Outfit ft. Berry Blacc, Dubbul O & Ellis Meade - Late Night Doors


* “LATE NIGHT DOORS” IS TAKEN FROM THE NEW ALBUM "JAGGED  TOOTH  CROOK" BY THE MOUSE OUTFIT *

* PREVIOUS SUPPORT FROM UKHH, KCRW, BBC 6 MUSIC, HHK, VADIM AND MANY MORE *

THE  MOUSE  OUTFIT
JAGGED  TOOTH  CROOK

ARTIST: The  Mouse  Outfit / ALBUM: Jagged  Tooth  Crook / LABEL: TMO  Records  (DIGITAL  AND  CD)  HHV  (VINYL)
CAT  NO: TMOCD004
FEATURED  VOCALISTS:  IAMDDB. Ellis  Meade,  Dubbul  O,  Berry  Blacc,  Kinkai,  Sparkz,  Fox,
Black  Josh,  Layfullstop,  Dr  Syntax,  Truemendous
PRODUCTION:  Chini,  Metrodome,  Defty,  Deese,  Pitch  92
MIXING: Chini,  Metrodome
MASTERING: Sappo
PHOTOGRAPHY  &  ILLUSTRATION: https://www.instagram.com/stemfourvisual/

PRE ORDER: https://www.hhv.de/shop/en/item/mouse-outfit-the-jagged-tooth-crook-591727


SOCIAL MEDIA:

WEBSITE  -  www.themouseoutfit.com
FACEBOOK - https://www.facebook.com/themouseoutfi
TWITTER - https://www.twitter.com/themouseoutfit
INSTAGRAM - https://www.instagram.com/themouseoutfit
SOUNDCLOUD - https://soundcloud.com/themouseoutfit
BANDCAMP - https://themouseoutfit.bandcamp.com
SPOTIFY - https://open.spotify.com/artist/3fZgTHf9UHEA1oLYLEhnk2
ITUNES - https://itunes.apple.com/gb/artist/the-mouse-outfit/409857576

 

With  over  29  musicians,  vocalists  and  producers  involved  in  the  album  (including  Blue  Note’s  Ashley  Henry and  the  Cinematic  Orchestra’s  Sam  Vicary) this  is  their  most  ambitious  project  to  date.  The  lead  single  from  the  album  (I  Wonder  -  feat.  IAMDDB&  Fox)  has  already  clocked  up  over  1  million  views  on  Youtube.  Production  has  been  overseen  by  the  band  founders  Chinin and  Defty with  help  from  synth  wizard  Metrodome (LEVELZ).  Contributions  have  also  come  from  the  band’s  drummer  Deeseand  Pitch  92(High  Focus). This  album  retains  the  trademark  head  nodding  beats  of  the  band’s  previous  releases,  but  on  Jagged  Tooth  Crook,  The  Mouse  Outfit’s  jazz  and  soul influences  are  even  more  evident.  In  truest  form  Chini  and  Defty  have  sought  out  a  new  generation  of  talent  to  collaborate  with...four  tracks  from  last  year’s  breakout  soulstress  IAMDDB  (winner  of  the  breakthrough  act  of  the  year  award  at  Gilles  Peterson  Worldwide  Awards  2018),and  a  roster  of  Manchester’s  most  talked  about  rappers  and  singers,  including  Kinkai,  Berry  Blacc,  Ellis  Meade&  Dubbul  O,  T-Man  and  Layfullstop.  Long  time  collaborators  Fox,  Sparkz,  Dr Syntax&  BlackJoshare  also  present  alongside  Birmingham  based  TrueMendous.

MUSIC  VIDEOS:

So  far  the  band  have  released  9  music  videos  from  the  album,  which  can  be  found  in  this  playlist:

https://www.youtube.com/playlist?list=PLk8zLnpH5Ke1jWD-Tdt6XuUvcQgz413Jk

More  music  videos  will  be  coming  very  soon.


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BIOG:

Formed  by  Chini  and  Defty  in  South  Manchester,  The  Mouse  Outfit  cut  their  teeth  as  a  live  band  for
a  hop  hop  open  mic  night  called  In  The  Loop.  It  was  at  these  events  that  the  connections  were  formed  to  create  2013’s  debut  album  Escape  Music.  A verified  UK  hip  hop  classic,  this  album  gained  The  Mouse  Outfit  a  reputation  for  nurturing  local  talent  and  bringing  them  to  the  attention  of  a  wider  audience.  Tried  and  tested  on  the  festival  circuit,  and  highly  respected  as  the  UK’s  premiere  live  hip  hop  band,  their  growing  reputation  caught  the  attention  of  the  BBC,  who  have  consistently  promoted  their  music  and  invited  them  to  two  sessions  at  Maida  Valeand  one  at  Salford’s  Media  City  for  Mary  Anne  Hobbes.
Their  second  album  ‘Step  Steadier’  (2015)  cemented  their  stature,  making  the  top  ten  of  ABC  News’  albums  of  the  year whilst  on  their  ‘Remixed’  album  (2016)  they  collaborated  with  internationally  acclaimed  producers,  including  Dub  Phizix,  Tall  Black  Guyand  DJ  Vadim.These  kind  of  accolades  helped  the  band  reach  an  international  audience  which  has  allowed  them  to  tour  in  over  14  countries  across  Europe  and  Asia over  the  last  three  years.